The Beggar’s Opera: a case study calhoun winton Theatre companies and regulation judith milhous 6. Theatre, politics and morality derek hughes 5. Theatre and the female presence joanne lafler 4.
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Introduction: the theatre from 1660 to 1800 joseph donohue 2. List of illustrations x Notes on contributors xii General preface xvi Acknowledgments xvii Chronology xix However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate. The publisher has used its best endeavours to ensure that URLs for external websites referred to in this book are correct and active at the time of going to press. First published 2004 Printed in the United Kingdom at the University Press, Cambridge Typeface DanteMT 10.5/13 pt.Ī catalogue record for this book is available from the British Library isbn 8 2 hardback Volume : Origins to isbn 0 2 Volume : Since isbn 2 8 Three-volume set: isbn 0 6 Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. Published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge, cb2 2ru, UK 40 West 20th Street, New York, ny 10011–4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarc´on 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa C Cambridge University Press 2004 The Cambridge History of British Theatre, Volume : Origins to edited by jane milling and peter thomson The Cambridge History of British Theatre, Volume : to edited by joseph donohue The Cambridge History of British Theatre, Volume : Since edited by baz kershaw Together, they offer a comprehensive and comprehensible history of theatre, of which plays are a part but by no means the whole.
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Whilst making full use of new research in a subject that is at the centre of current concern, the essays are designed for the general reader as well as for the specialist. The Cambridge History of British Theatre provides a uniquely authoritative account of the turbulent and often troublesome public life of performance in Britain. He is the editor, with Ruth Berggren, of Oscar Wilde’s The Importance of Being Earnest: A Reconstructive Critical Edition of the Text of the First Production, St James’s Theatre, London, (1995).Ĭambridge Histories Online © Cambridge University Press, 2008ī R I T I S H T H E AT R E General Editor Peter Thomson, University of Exeter He is the author of books and articles on the British and Irish theatre and drama, including Dramatic Character in the English Romantic Age (1970), Theatre in the Age of Kean (1975), ‘The London Theatre at the End of the Eighteenth Century’ (1980), and ‘Distance, Death and Desire in Salome’ (1997). Joseph Donohue is Professor of English at the University of Massachusetts, Amherst. Chapters on two representative years, 17, are complemented by chapters on two phenomenal productions, The Beggar’s Opera and The Bells, as well as by studies of popular theatre, including music hall, sexuality on the Victorian stage and other social and cultural contexts, and the appearance of new departures in dramatic art and the first glimmerings of modernism. Descriptions of the theatres, actors and actresses, acting companies, dramatists and dramatic genres over the period are augmented by accounts of the audiences, politics and morality, scenography, provincial theatre, theatrical legislation, the long-drawn-out competition of major and minor theatres, and the ultimate revocation of the theatrical monopoly of Drury Lane and Covent Garden, initiating a new era.
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1660 to 1895 Volume 2 of The Cambridge History of British Theatre begins in 1660 with the restoration of King Charles II to the throne and the reestablishment of the professional theatre, interdicted since 1642, and follows the far-reaching development of the form over two centuries and more to 1895.